Community Calendar

The Contemporary Dayton is proud to present Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down, the culmination of a landmark multi-year project that challenges long-held stereotypes of Appalachia by Pulitzer Prize–winning photographer Stacy Kranitz.

Featuring more than 40 photographs drawn from historical archives, Kranitz’s own images, historical texts, installations, and an accompanying film, the exhibition examines how Appalachia has been represented—and misrepresented—across generations. Together, these works reveal a region shaped by myth, exploitation, resilience, and the uneasy tension between representation and reality.

The exhibition’s title references the gospel song “Ain’t No Grave,” made famous by Johnny Cash, evoking the resilience and resistance that run throughout the project. Recipient of the prestigious Images Vevey Book Award, Kranitz has published a companion monograph, available for purchase in The Contemporary Dayton’s CoSHOP.

Born in Kentucky and based in the Appalachian Mountains of eastern Tennessee, Kranitz is the recipient of a Pulitzer Prize and a Guggenheim Fellowship, among many other awards. Her work has been exhibited nationally and internationally, and is held in numerous public collections.

Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down is part of the 2026 FotoFocus Biennial: The Long View. Now in its eighth iteration, the Biennial activates over 70 exhibitions at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Dayton, Columbus, and Northern Kentucky.

The Contemporary Dayton is proud to present Ella Kraimer: Appearances, a world-premiere exhibition of large-scale photographs. Kraimer transforms herself into a cast of fictional personas through striking self-portraits, using secondhand garments gathered from thrift stores across the country. Layered with irony, humor, and cultural critique, she explores the blurred boundaries between authenticity and performance, memory and invention, self and society.

Previously viewed only as a digital project, Appearances reflects on life in an age of social media, image culture, and spectacle. Inspired by childhood memories of paper dolls, Kraimer fragments and reconstructs her own likeness through costume, collage, and assemblage. At once playful and provocative, Appearances invites viewers to reconsider not only the images we create, but the stories they tell about who we are.

Kraimer spent her formative years in Berlin, Germany and is now based in New Bremen, Ohio. She earned a BA in Design and Visual Communication from the University of Europe for Applied Sciences, Berlin, and an MA in Visual and Media Anthropology from HMKW University of Applied Sciences for Media, Communication, and Management, Berlin.

Ella Kraimer: Appearances is part of the 2026 FotoFocus Biennial: The Long View. Now in its eighth iteration, the Biennial activates over 70 exhibitions at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Dayton, Columbus, and Northern Kentucky.

Experience the Heart of Dayton's Art Scene

Explore 150+ artists, studios, vintage vendors, food trucks, and more at Front Street's First Friday Hart Hop and Saturday open studios

Let the rhythms lift your feet and your spirits! Join us on first Fridays to dance, socialize, or just sit and listen to some of the best bands and callers in the region. No experience is necessary, all ages are welcome and you don’t need to bring a partner. The caller teaches all dances before they start. Live music at every dance. 
7:00 PM – Free lesson, all encouraged to come early7:30 – 10:30 PM – Contra dancing

What is contra dancing?  Taken from https://www.sccdc.org/resources/what-is-contra-dancing/ which has more details and videos
Contra dancing is done in long lines of dancers rather than in groups of four couples forming a square. Many of the terms and movements are the same in both contra and square dancing, so if you remember anything from school or previous dancing, you’re already halfway there!
And don’t be surprised if a contra dance caller includes a square dance or two during the evening—sometimes we mix things up!
The footwork in contra dancing is very simple. Most of the time, you’re simply walking to the music, with a few easy steps and movements added along the way. The caller teaches each dance as you go, so you don’t need to know the dances ahead of time.

Jan - Old Possum's Menagerie with caller Michael Hamilton (Cleveland)
Feb - The Hollertoners with Gaye Fifer (Pittsburgh)
March - TBD
April - The CornDrinkers
May - The Laurelview Ramblers

The Contemporary Dayton is proud to present Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down, the culmination of a landmark multi-year project that challenges long-held stereotypes of Appalachia by Pulitzer Prize–winning photographer Stacy Kranitz.

Featuring more than 40 photographs drawn from historical archives, Kranitz’s own images, historical texts, installations, and an accompanying film, the exhibition examines how Appalachia has been represented—and misrepresented—across generations. Together, these works reveal a region shaped by myth, exploitation, resilience, and the uneasy tension between representation and reality.

The exhibition’s title references the gospel song “Ain’t No Grave,” made famous by Johnny Cash, evoking the resilience and resistance that run throughout the project. Recipient of the prestigious Images Vevey Book Award, Kranitz has published a companion monograph, available for purchase in The Contemporary Dayton’s CoSHOP.

Born in Kentucky and based in the Appalachian Mountains of eastern Tennessee, Kranitz is the recipient of a Pulitzer Prize and a Guggenheim Fellowship, among many other awards. Her work has been exhibited nationally and internationally, and is held in numerous public collections.

Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down is part of the 2026 FotoFocus Biennial: The Long View. Now in its eighth iteration, the Biennial activates over 70 exhibitions at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Dayton, Columbus, and Northern Kentucky.

The Contemporary Dayton is proud to present Ella Kraimer: Appearances, a world-premiere exhibition of large-scale photographs. Kraimer transforms herself into a cast of fictional personas through striking self-portraits, using secondhand garments gathered from thrift stores across the country. Layered with irony, humor, and cultural critique, she explores the blurred boundaries between authenticity and performance, memory and invention, self and society.

Previously viewed only as a digital project, Appearances reflects on life in an age of social media, image culture, and spectacle. Inspired by childhood memories of paper dolls, Kraimer fragments and reconstructs her own likeness through costume, collage, and assemblage. At once playful and provocative, Appearances invites viewers to reconsider not only the images we create, but the stories they tell about who we are.

Kraimer spent her formative years in Berlin, Germany and is now based in New Bremen, Ohio. She earned a BA in Design and Visual Communication from the University of Europe for Applied Sciences, Berlin, and an MA in Visual and Media Anthropology from HMKW University of Applied Sciences for Media, Communication, and Management, Berlin.

Ella Kraimer: Appearances is part of the 2026 FotoFocus Biennial: The Long View. Now in its eighth iteration, the Biennial activates over 70 exhibitions at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Dayton, Columbus, and Northern Kentucky.

The Contemporary Dayton is proud to present Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down, the culmination of a landmark multi-year project that challenges long-held stereotypes of Appalachia by Pulitzer Prize–winning photographer Stacy Kranitz.

Featuring more than 40 photographs drawn from historical archives, Kranitz’s own images, historical texts, installations, and an accompanying film, the exhibition examines how Appalachia has been represented—and misrepresented—across generations. Together, these works reveal a region shaped by myth, exploitation, resilience, and the uneasy tension between representation and reality.

The exhibition’s title references the gospel song “Ain’t No Grave,” made famous by Johnny Cash, evoking the resilience and resistance that run throughout the project. Recipient of the prestigious Images Vevey Book Award, Kranitz has published a companion monograph, available for purchase in The Contemporary Dayton’s CoSHOP.

Born in Kentucky and based in the Appalachian Mountains of eastern Tennessee, Kranitz is the recipient of a Pulitzer Prize and a Guggenheim Fellowship, among many other awards. Her work has been exhibited nationally and internationally, and is held in numerous public collections.

Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down is part of the 2026 FotoFocus Biennial: The Long View. Now in its eighth iteration, the Biennial activates over 70 exhibitions at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Dayton, Columbus, and Northern Kentucky.

The Contemporary Dayton is proud to present Ella Kraimer: Appearances, a world-premiere exhibition of large-scale photographs. Kraimer transforms herself into a cast of fictional personas through striking self-portraits, using secondhand garments gathered from thrift stores across the country. Layered with irony, humor, and cultural critique, she explores the blurred boundaries between authenticity and performance, memory and invention, self and society.

Previously viewed only as a digital project, Appearances reflects on life in an age of social media, image culture, and spectacle. Inspired by childhood memories of paper dolls, Kraimer fragments and reconstructs her own likeness through costume, collage, and assemblage. At once playful and provocative, Appearances invites viewers to reconsider not only the images we create, but the stories they tell about who we are.

Kraimer spent her formative years in Berlin, Germany and is now based in New Bremen, Ohio. She earned a BA in Design and Visual Communication from the University of Europe for Applied Sciences, Berlin, and an MA in Visual and Media Anthropology from HMKW University of Applied Sciences for Media, Communication, and Management, Berlin.

Ella Kraimer: Appearances is part of the 2026 FotoFocus Biennial: The Long View. Now in its eighth iteration, the Biennial activates over 70 exhibitions at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Dayton, Columbus, and Northern Kentucky.

The Contemporary Dayton is proud to present Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down, the culmination of a landmark multi-year project that challenges long-held stereotypes of Appalachia by Pulitzer Prize–winning photographer Stacy Kranitz.

Featuring more than 40 photographs drawn from historical archives, Kranitz’s own images, historical texts, installations, and an accompanying film, the exhibition examines how Appalachia has been represented—and misrepresented—across generations. Together, these works reveal a region shaped by myth, exploitation, resilience, and the uneasy tension between representation and reality.

The exhibition’s title references the gospel song “Ain’t No Grave,” made famous by Johnny Cash, evoking the resilience and resistance that run throughout the project. Recipient of the prestigious Images Vevey Book Award, Kranitz has published a companion monograph, available for purchase in The Contemporary Dayton’s CoSHOP.

Born in Kentucky and based in the Appalachian Mountains of eastern Tennessee, Kranitz is the recipient of a Pulitzer Prize and a Guggenheim Fellowship, among many other awards. Her work has been exhibited nationally and internationally, and is held in numerous public collections.

Stacy Kranitz: Ain’t No Grave Gonna Hold My Body Down is part of the 2026 FotoFocus Biennial: The Long View. Now in its eighth iteration, the Biennial activates over 70 exhibitions at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Dayton, Columbus, and Northern Kentucky.

The Contemporary Dayton is proud to present Ella Kraimer: Appearances, a world-premiere exhibition of large-scale photographs. Kraimer transforms herself into a cast of fictional personas through striking self-portraits, using secondhand garments gathered from thrift stores across the country. Layered with irony, humor, and cultural critique, she explores the blurred boundaries between authenticity and performance, memory and invention, self and society.

Previously viewed only as a digital project, Appearances reflects on life in an age of social media, image culture, and spectacle. Inspired by childhood memories of paper dolls, Kraimer fragments and reconstructs her own likeness through costume, collage, and assemblage. At once playful and provocative, Appearances invites viewers to reconsider not only the images we create, but the stories they tell about who we are.

Kraimer spent her formative years in Berlin, Germany and is now based in New Bremen, Ohio. She earned a BA in Design and Visual Communication from the University of Europe for Applied Sciences, Berlin, and an MA in Visual and Media Anthropology from HMKW University of Applied Sciences for Media, Communication, and Management, Berlin.

Ella Kraimer: Appearances is part of the 2026 FotoFocus Biennial: The Long View. Now in its eighth iteration, the Biennial activates over 70 exhibitions at museums, galleries, universities, and public spaces throughout Greater Cincinnati, Dayton, Columbus, and Northern Kentucky.