In his exhibition, Flight of Obscurity, Nathaniel Foley communicates concepts rooted in aviation history through a visual language that references both travel and warfare. With hand fabricated sculptures in an immersive installation, Foley’s work communicates tension between grace and imminent danger.

Mina Kim’s work blends drawing and sculpture using a meditative practice of bending and binding materials together. Echoing rhythms that reference Eastern thought where repeated action trains both body and spirit, Kim’s work moves between two and three dimensions. Their installations use everyday materials like twist ties and wire, and then shift into paintings and drawings, dissolving boundaries between technology and tradition.