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Ella 101: A Night In Tunisia (Day 7 of 101)

Ella Fitzgerald, Dizzy Gillespie, Ray Brown, Milt (Milton) Jackson, and Timmie Rosenkrantz, Downbeat, New York, N.Y., ca. Sept. 1947
William P. Gottlieb/Ira and Leonore S. Gershwin Fund Collection, Music Division, Library of Congress.

Ella tackles a bop classic and smooths it out into liquid silk. This sexy take on Dizzy Gillespie's standard, recorded the first weeks of 1961, has Herb Ellis on guitar, Joe Mondragon on bass, Gus Johnson on drums, and Lou Levy doing some very tasty piano work.

This is an early-ish example of vocalese, jazz lyrics written to fit a pre-existing instrumental melody. Ella enjoyed tackling these whenever possible; she said many times that her vocal style came from mimicking horn player techniques, so approaching tunes originally written for horns was a natural fit. Note her very unique, Eastern-flavored scatting at the end.

I've mentioned in previous posts that discovering Ella's recordings at age 12 introduced me to the entire jazz universe. This track was the first time I heard "Night in Tunisia."

https://www.youtube.com/watch?v=abHkDjYRY4w

Ella 101 is a daily look at 101 essential recordings by Ella Fitzgerald, who was born 101 years ago this month. Tune in to Equinox, Monday nights from 8 - 11 p.m. on WYSO, to hear Ella and more great jazz with host Duante Beddingfield.

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Duante Beddingfield, a Dayton native, has hosted Equinox since 2018; he now records the show from his home in Michigan, where he works as arts and culture reporter for the Detroit Free Press. Previously, he served as jazz writer for both the Dayton Daily News and Dayton City Paper, booked jazz acts for area venues such as Pacchia and Wholly Grounds, and performed regularly around the region as a jazz vocalist; Beddingfield was the final jazz headliner to play Dayton's legendary Gilly's nightclub.