Fresh Air

Weekdays, 3 - 4pm

Fresh Air opens the window on contemporary arts and issues with guests from worlds as diverse as literature and economics. Terry Gross hosts this multi-award-winning daily interview and features program. The veteran public radio interviewer is known for her extraordinary ability to engage guests of all dispositions. Every weekday she delights intelligent and curious listeners with revelations on contemporary societal concerns.

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1:56am

Sat March 3, 2012
Fresh Air Weekend

Fresh Air Weekend: 'Being Flynn,' Barry Blitt

Credit

Fresh Air Weekend highlights some of the best interviews and reviews from past weeks, and new program elements specially paced for weekends. Our weekend show emphasizes interviews with writers, filmmakers, actors, and musicians, and often includes excerpts from live in-studio concerts. This week:

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11:25am

Fri March 2, 2012
Movie Reviews

'The Lorax': A Campy And Whimsical Seussical

Originally published on Fri March 2, 2012 1:02 pm

At the far end of town
Where the Grickle-grass grows
And the wind smells slow-and-sour when it blows
And no birds ever sing excepting old crows ...
Is the Street of the Lifted Lorax.

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11:22am

Fri March 2, 2012
Author Interviews

Frank Calabrese Jr. On Opening His 'Family Secrets'

This interview was originally broadcast on March 14, 2011. Operation Family Secrets is now available in paperback.

When Frank Calabrese Jr. was a teenager, his father came home one night and took him into the bathroom for a chat.

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11:57am

Thu March 1, 2012
Television

It's High Concept, But Will It Keep You 'Awake'?

The premise of NBC's new detective series, Awake, is about as high concept as it gets. Jason Isaacs, one of the leads of Showtime's Brotherhood, stars as Michael Britten, who survives a horrible car crash intact. Well, his body is intact — but his mind, or at least his subconscious, is split.

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8:22am

Thu March 1, 2012
Music Reviews

Hugh Masekela: Wedding Songs That Don't Sound Blue

Credit courtesy of the artist

In 1968, Hugh Masekela was not quite 30 years old and though he was in exile from his homeland of South Africa, he seemed ready to become at home on the American jazz and pop markets. That summer, he had scored a number one single, "Grazing in the Grass." A year earlier, he'd been one of the few international performers at the 1967 Monterrey International Pop Festival and had appeared in its D.A. Pennebaker documentary. Yet strangely enough, over the next 45 years Masekela never quite found his sweet spot.

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