All Things Considered

Our story begins last month inside a busy Washington, D.C. subway station plastered with posters of giant dollar bills. One of them says: "Tell Congress to stop wasting time trying to eliminate the dollar bill." Another asks: "Do you heart the dollar?"

Political fights in the nation's capital normally involve billions or even trillions, not single dollars. What's going on here?

I'm an English professor, and I spent the first 15 years of my career trying to write like one. You might be surprised by what that's like. We don't emulate the fiction writers we most admire. We too rarely practice what we preach to our composition students — namely that good writing is simple and direct. In fact, we're notorious for maze-y sentences and ugly jargon. The point seems less to attract readers with clear prose than to smack them over the head with a sign that says, "Aren't I smart?"

In the Central African Republic, U.S. Special Forces soldiers are on the hunt for Joseph Kony, the brutal leader of the rebel group the Lord's Resistance Army (LRA). The LRA has been responsible for abducting tens of thousands of children and turning them into sex slaves or killers. The U.S. military set up its outpost in the country four months ago. Audie Cornish talks to Washington Post reporter Sudarsan Raghavan, who wrote about the U.S. involvement.

If you weren't a college theater major, you can be forgiven for not knowing much about commedia dell'arte, the 500-year-old theatrical tradition that Carlo Goldoni used for his comedy The Servant of Two Masters in 1743. Contemporary playwright Richard Bean has adapted that play into the decidedly British laugh riot One Man, Two Guvnors -- and he says all you really need to know about commedia is ... well, it's funny.